Sunday, October 27, 2013

Hallows Eve

Spirits of the Dead

Edgar Allen Poe

Thy soul shall find itself alone
’Mid dark thoughts of the gray tombstone—
Not one, of all the crowd, to pry
Into thine hour of secrecy.
 
II

Be silent in that solitude,
Which is not loneliness—for then
The spirits of the dead who stood
In life before thee are again
In death around thee—and their will
Shall overshadow thee: be still.
 
III

The night, tho’ clear, shall frown—
And the stars shall look not down
From their high thrones in the heaven,
With light like Hope to mortals given—
But their red orbs, without beam,
To thy weariness shall seem
As a burning and a fever
Which would cling to thee for ever.
 
IV

Now are thoughts thou shalt not banish,
Now are visions ne’er to vanish;
From thy spirit shall they pass
No more—like dew-drop from the grass.

V

The breeze—the breath of God—is still—
And the mist upon the hill,
Shadowy—shadowy—yet unbroken,
Is a symbol and a token—
How it hangs upon the trees,
A mystery of mysteries!
Halloween is nearing. It's the time for costumes and candy and pumpkin themed bake sales. But not only that- it's the time for the spooky, the creepy, and every imaginable crawly. This time of the year can be anticipated or dreaded- especially for those who are allergic to all things frightful. Thankfully for us AP Lit students, we are immersed in Grendel, a book seeping with dreadful ideas. It really is perfect timing for such a literary work; however, I was left craving something scarier to read- something that would make the hair on my arms stand on edge and make me wish I was seated with my back to the wall. So I searched in the romantic works of the classic Poe. And I can’t say I was disappointed.
Edgar Allen Poe’s Poem “Spirits of the Dead” explores the connection between life and death, describing the afterworld in a scene that chills our bones. He depicts a lone living soul amidst a crowd of spirits of the dead, and in the first stanza he describes the dark state the soul is in.
 
Thy soul shall find itself alone
’Mid dark thoughts of the gray tombstone—
Not one, of all the crowd, to pry
Into thine hour of secrecy.
                Poe uses words such as “dark” and “grey” to demonstrate the sad and gloomy thoughts that the person has as they think about death. By depicting the person alone at a tombstone he begins his poem in a morbid place, setting us up for the rest of the poem.
Poe then writes about the how the spirits are in an elevated state and are among the presence of the living.
Be silent in that solitude,
Which is not loneliness—for then
The spirits of the dead who stood
In life before thee are again
In death around thee—and their will
Shall overshadow thee: be still.
 
In the second stanza, the person is surrounded by the “spirits of the dead” whose will “shall overshadow” his. The fact that the will of the spirits will overcome his demonstrates the power they hold. This informs us of their superiority.
Towards the end of the poem Poe personifies nature to create a sense of intensity that displays the discomfort that the living must face in life. The frowning light and the stars that “shall seem as a burning and a fever” seem very hostile. This demonstrates the hostility of everyday life and how it can weigh down on an individual. The fever which would “cling to thee forever” and the thoughts that will “not banish” are everlasting pains. Since human life is so ephemeral, every discomfort can seem like an eternity.
 
The night, tho’ clear, shall frown—
And the stars shall look not down
From their high thrones in the heaven,
With light like Hope to mortals given—
But their red orbs, without beam,
To thy weariness shall seem
As a burning and a fever
Which would cling to thee for ever.
 
Now are thoughts thou shalt not banish,
Now are visions ne’er to vanish;
From thy spirit shall they pass
No more—like dew-drop from the grass.
 
In the last stanza Poe uses mist to show the veil between this world and the next and how as long as the veil exists, the next world will be a mystery to the living.
 
The breeze—the breath of God—is still—
And the mist upon the hill,
Shadowy—shadowy—yet unbroken,
Is a symbol and a token—
How it hangs upon the trees,
A mystery of mysteries!

 The troubles of this life can not compare with the stillness present in the next. As the soul sits next to that tombstone, surrounded by the crowd of spirits and tortured by the discomfort of life, it sees the most as a promise of the clarity and peace that must surely exist in the afterlife. 
 
Although this poem was deep and thoughtful rather than chilling, it still had that edge of gloom and darkness that Poe never seems to fail to bring. 

Sunday, October 20, 2013

Grendel Chapter 5

My initial thoughts about chapter 5 in John Gardner's novel Grendel- when he goes on his trip to meet the dragon. I had to put down my tea and set aside my shortbread cookies while reading this one. 
 
First off, Grendel is woken from his slumber by some sort of mysterious presence, sort of like a call to adventure in a hero's journey, and he comes upon a fright-inducing, seemingly insane dragon. The fierce description, including "eyes not firey but cold as the memory of family deaths" , would make anyone tremble- and the self- pitying, despair bringing beast Grendel is no exception (57 Gardner). He stands frightened with his hands in front of him like a rabbit, forced to listen to the dragon's malicious laughter and what seems to be a madman's ramblings. 
 
This chapter can be very confusing and I spent a long while trying to figure out what the dragon was saying to Grendel in his long wordy paragraphs- but then the thought occurred to me: "what if we're not supposed to understand?" I stopped and pondered. Isn't that the whole point then- That the dragon's understanding surpasses our own; therefore, our minds are not fully able to grasp the concepts which it is spurting out? 
This allows a connection to be made between the dragon and some sort of all-seeing all-knowing deity. This could be an allusion to the Bible, which says in Revelation 1:8, "'I am the Alpha and the Omega,' says the Lord God, 'who is, and who was, and who is to come, the Almighty'". And then the concept of free will is brought up- in which the dragon seems frustrated by others' inability to grasp the concept that he does not interfere. He states that his "knowledge of the future does not cause the future. It merely sees it, exactly as creatures at your low level recall things past" (63). It seems a lot like an omnipotent god- yet the dragon's nature and demeaning attitude is very dark. So is the dragon the god? Or is it evil? And if it is evil, then why would it call out to Grendel, give him some long speech and get frustrated by his lack of understanding (even though he can see the future and knew that would happen), and later let Grendel go free, more confused than ever?
 
This chapter was brain twisting and thought inducing, but the one thing it was not is boring. Meeting the dragon, who had a superior and haughty attitude similar to Grendel and Beowulf, was quite the experience. He was terrifying and more than slightly crazy, like a clichéd mad scientist, yet I still kind of like it- it didn't seem to be completely detestable.  I don't fully understand what it all means, and am still perplexed about the overall role of the dragon, but I do not think it is something to worry about, since our minds are not capable of really grasping all that the dragon had to say. But then again... What if they are?

Sunday, October 6, 2013

T.S Eliot and Winesburg, Ohio

The love song of J. Alfred Prufrock is a t. S. Eliot poem filled with juxtaposition which highlights the speaker's insecurity that comes with old age. The poem has a variety of parallels with Sherwood Anderson's novel Winesburg, Ohio, such as the whole idea of a story teller and a listener. Throughout the poem, the speaker addresses the reader directly, inviting us to come along with him in the evening and advising, "Do not ask, 'What is it?' Let us go and make our visit". This idea of a listener is seen in Winesburg, where a young boy named George Willard seems to know all the town secrets. He knows of the hidden pasts of others, the inner thoughts of their hearts, similar to how J. Prufrock pours out his insecurities and wonderings to his listener.
Also present within the poem is the idea of a timid man trapped within society. There is a significant amount of imagery that suggests a feeling of entrapment, similar to Anderson's novel. Passage two of Eliot's poem says

The yellow fog that rubs its back upon the window panes,
The yellow smoke that rubs its muzzle on the window panes
Licked its tongue into the corners of the evening

This passage seems to create an image of a cat, a lonely animal, which depicts an isolated stage. Cats are known to keep to themselves, symbolizing loneliness- one of the most prominent themes within the novel Winesburg, Ohio. Sherwood Anderson depicts a town many of the individuals suffer from isolation, wishing that they would find somebody that understands them. Enoch, an artist that lived within the city, is the main character within the short story "Loneliness" in which he fills his void for an understanding companion with imaginary friends. In the poem, the yellow fog is clouding up the windows, representing the concealed speaker. Within Winesburg, windows are a reoccurring motif within the novel, since the majority of the characters are trapped in their pasts, left stagnant. There is an emphasis on the young, like George Willard, and old, like his mother Elizabeth. The  idea of the passage of time comes up as J. Alfred Prufrock remarks upon the troubles of old age. He is insecure about getting old, fearful of others seeing his balding head as he walks down the stairs. There is also an allusion to the Bible with the passage that parallels Ecclesiastes 3 "there will be a time for" this and "a time for" that. Eliot displays how quickly life can pass us by, pondering if it "would have been worth it" to do all the things he could have done. Overall, the Love Story of J. Alfred Prufrock and Winesburg, Ohio are very similar in the characters portrayed and in the effects of time on a human in our society.

In what is supposed to be a love song, J. Alfred Prufrock depicts his isolation and insecurity caused by society in a gloomy and almost morbid way, with "voices dying" and a "dying fall". This juxtaposition of our expectations and the reality within the poem is similar to life- our expectations of youth are cut short by the reality of aging and a broken society.